To continue our monthly series on kick-ass women of the classical music world, this month we have violinist, blogger and all-around music entrepreneur Sarah Whitney. A native of Concord, MA (She’s a GBYSO alumna!) and currently residing in NYC, Sarah has been taking the classical music world by storm as a member of the acclaimed ensemble, SYBARITE5, as well as running her own unique concert series titled “Beyond the Notes”. She performs regularly as a duo, AND a trio, is a regular on the recording session circuit and is passionate about creating innovative concert experiences. As if being on the road almost half the year isn’t enough, she has also recently launched her own blog, The Productive Musician, where she gives great advice on time management and basic life hacks for the artistic soul. Today, she is giving us a little insight into how she gets it all done, the valuable lessons she has learned while on the road as a touring musician, and how the biggest risks are always the ones worth taking.
What are your morning rituals or routines?
SW: In the past year or so my morning time has become very sacred. I’ve found that it’s the only way for me to have any sort of routine amidst my ever changing schedule. Ideally, I like to have 1 1/2 hours of “me time” BEFORE I check my email. During this time I will do the basics – make my espresso, eat breakfast, shower, get ready, etc. I will also spend time to plan my day, set my daily goals, read something inspiring and do a short meditation. I’m currently using a planner called the Panda Planner which I love and helps outline much of my planning. This pre-email time has helped me immensely. Most emails are “asks” and although they are things that I need to tend to, most of the time they are other people’s priorities to be fulfilled. By setting my priorities first thing in the morning before checking email, I’ve found I have a better chance of keeping track of and completing my most important tasks.
Any Must-Haves for air-travel?
SW: A pashmina scarf! The temperature can always be unpredictable on planes so a scarf is something small and lightweight to carry that can be a great way to keep warm and double as a blanket. Also, I oftentimes roll the scarf up and use it as a makeshift lumbar back support which I’ve found makes longs flights SO much more comfortable.
I also only travel wearing jersey and never leave for the airport without my refillable water bottle!
What has been your scariest moment on stage?
SW: A few years go my quintet, SYBARITE5, premiered a brand new concerto for string quintet and orchestra with the South Carolina Philharmonic. We had been mumbling about switching to iPads for music reading for a while and thought this would be a great time since we wanted to read off of scores. So, we took the plunge. During the performance, all seemed to be going well until I turned the page with my foot pedal only to see I had flipped from page 1 to page 3. I turned back thinking I had skipped a page only to find myself toggling between pages 1 and 3 with no page 2 in sight at all! Mild panic ensued and since there wasn’t much I could do, I slapped on a big smile and did a little improvising to get me through the missing page! Luckily, all the pages were in impeccable order moving forward, but my heart definitely skipped a few beats – no, MANY beats – during that performance!
What has been your most rewarding moment as a musician?
SW: One of my favorite things is performing at retirement and nursing homes. When my grandparents were living, I would visit their retirement home and grew up frequently performing at these communities. Sometimes they were formal concerts and other times they weren’t but I loved sharing my music this way. Throughout my career, I’ve continued to play at retirement homes all over the country; a few years ago, I was playing at an intensive care unit where many of the residents were not 100% cognitively aware. I was playing Moon River and all of the sudden one of the residents started humming along. This created a chain reaction and before I knew it, I had a choir of residents singing along! It was an extremely rewarding and magical experience. Although we couldn’t really speak to one another, we could connect through our music.
Practicing: Love it or Hate it?
SW: Practicing is a very precious time for me and it’s something that I have grown to sincerely love. Between all of the necessary admin work, travel and life events, it can be quite challenging to find a lot of practice time. I miss those days at grad school when practice hours were a plenty! I have, however, learned to be much more effective with my practice time and can accomplish more in less time than I used to.
What about when you were a kid?
SW: Probably the exact opposite of how I feel about it now! There was usually lots of negotiating about practice time and I was constantly looking for ways to put it off. My parents probably have a laundry list of excuses I used!
Who were some of your role models as a young musician?
SW: Gidon Kremer was a huge role model to me. He was one of the first violinists I learned about that pushed the boundaries of being a classical musician. I was fascinated and inspired by his creativity, artistry and fearlessness to be different. This opened my eyes to a whole new way of thinking about what it meant to be a violinist.
How old were you when you knew you wanted to be a professional musician?
SW: I didn’t actually grow up always knowing 100% that I wanted to pursue music professionally. It was a large part of my life and I was very serious about it, but I had a lot of interests and ideas about the future as a young child. When college “discussions” came along my junior year of high school, the prospect of music school was appealing and seemed to make a lot of sense. In some ways you could say the decision to become professional was during my junior year when I applied to music schools for college, but honestly, there really wasn’t a “moment” and in hindsight, it actually happened very organically.
Have any pre-concert rituals?
SW: Tea! I’m very sensitive to temperature when I perform and get cold very easily. Even in warmer climates, the air conditioning in concert halls can often be very fierce. I’ve found the best and most consistent way to keep my body temperature warm is with a hot beverage so I’m usually sipping on tea or hot water before a show!
Do you have a favorite city to perform in?
SW: One of my favorite places to perform was in Fairbanks, Alaska with SYBARITE5. It was March and indescribably cold, but the the warm reception and hospitality of the community was amazing. We also got to see the northern lights and had one of the most memorable back stage riders consisting of an entire Alaskan salmon!
What do you find to be the hardest part of being on the road?
SW: The hardest part about being on the road is being sure to make time for myself. I travel mostly with SYBARITE5 and sometimes it’s very convenient to do everything together as a quintet. Although I love my colleagues, it took me a while to realize how essential my “me time” was. I’ve had to find ways to make sure that that happens and make sure I’m disciplined about my time management on the road.
What advice would you give to your 18-year old self?
SW: All of the musicians you are around now will become your colleagues in the real world! Keep in touch with these people – they will be incredible resources for advice, collaborations and support.
If you could have dinner with any classical musician, dead or alive, who would you choose, and what would you ask them about?
SW: Prokofiev! I would ask him if he was going to write one more piece of music what would it be, and who would it be for?
What is the biggest risk you have taken in your career?
SW: The biggest risk I have taken is probably moving to NYC …without a job! In 2008, my last year of graduate school at the Cleveland Institute of Music, I realized that I did not want to be in an orchestra and therefore had no exact idea about what I WANTED to do after I graduated. I had met Louis, founder of SYBARITE5, at the Aspen Music Festival and School and he called me with a proposal: Would I be interested in moving to NYC after I graduated to help grow SYBARITE5 into a professional chamber ensemble even though there wasn’t any concrete work or financial guarantee yet? Crazy, right?! Well, I took the plunge and I’m so glad I did. Almost 10 years later I have established quite a career in NYC and toured the country and the world with SYBARITE5!
Where can people find you? (website, IG, FB, Twitter, etc.)